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I reserved this at the library the minute I read the Guardian review.

Science has largely ignored the female of all species, from behaviour to anatomy. Grand prounouncements have been made on the basis of no evidence, which have since become received wisdon. There have always been dissenting voices (mostly female, and therefore ignored).

Fortunately, this is changing and lots of paradigm-changing work is taking place all over the world and all across the animal kingdom that sheds light on female anatomy, behaviour, mate selection, hierarchy - basically all aspects of female(1) animals' lives. It's full of "how did we not know that" moments (as are all good non-fiction books, but this really is "why did no one study this sooner?")

This is one of the best non-fiction books I've ever read. Everything in it is fascinating. It's incredibly readable, a real page-turner. It's funny - really funny, without being glib or disrespectful. There's feminist exasperation, but the main thrust is the author's sense of wonder at the richness of nature, and the world being so much weirder than commonly imagined.

(1) In many species even the gender binary is proving not to being even close to reality, though.
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It appears that feminist rage-fuelled fantasy is a theme here at the moment.

This one's good, but nowhere near as good as The Once and Future Witches.

Immanuelle lives in Bethel, a shame-centered polygamous evangelical religious community (you know the drill) in a post apocalyptic (maybe) America. Her family used to have a lot of prestige but have been disgraced by the actions of her mother leading up to the time of her birth and they now live in poverty in a literal and figurative liminal placen at the edge of the village. (I'm all about the liminality so this had me hooked.)

Poverty necessitates selling off livestock, which in turn requires getting to market early, and there is a shortcut through forbidden woods which are supposedly inhabited by witches who were banished there by the first Prophet some centuries back. Immanuelle is sent on this errand, takes the shortcut and events take a predictable (to an extent) turn.

A generation-old curse is unleashed and Immanuelle learns all of Bethel's dirty secrets and fights back with the aid of Ezra, the heir to the current Prophet (of course they have a Prophet, and of course he has All THe Wives).

There's not a lot new here, but it's still pretty good, some genuinely creepy moments and a whole lot of justified feminist rage moments. My caveat is that I read this on planes and trains so wasn't always giving it the attention it deserved. At some times it seems like it's aimed at a YA audience, but I think it also assumes a lot of knowledge about shame-driven cultures that such an audience might not have.
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I bought this book ages ago because it is very, very pretty. (The Special Independent Bookshop Limited Edition).

Some years ago I bought one of Hardinge's previous books, The Lie Tree, for similar reasons (it is illustrated by Chris Riddell). It was good, but not great, so it might look like I don't learn.

This once, my lack of impulse control has paid off. I loved everything about this book.

It's set on an island chain called The Myriad were, until 30 years ago, the gods were tangibly real and lived in the sea. Then the Cataclysm happened and the post-deity community has a thriving trade in godware - salvaged parts of the gods, which power a steampunk-esque array of tech.

Our protagonist is Hark, a teenage orphan. (This almost put me off, loveable Dickensianesque urchins are Not My Jam). Having got caught doing pretty crime, he is indentured to a mad inventor and sent to the former priests' retirement home to glean more information about godware. But of course his old life on the periphery of organised crime follows him, and adventures follow.

I have just described so many over-used tropes that you could be forgiven for switching off now, but this story is so much more than that. It's saved by the prose, which is just gorgeous throughout. The world-building is top notch, and it goes off in just enough unexpected directions to keep things fresh and the pages turning themselves, while still being an enormously comforting read.

Just. Yes. More like this, please.
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"There's no such thing as witches. But there will be".

I can't remember how I heard about this book, so that probably means Twitter.

Set in 1893 in a parallel USA where witches used to be real but were hunted out of existence, magic is still everywhere but has no real power.

Three estranged sisters from Appalachia find themselves in New Salem and drawn together when one of them reads aloud some handwritten marginalia in an old book of nursery rhymes.

The three meet again at a women's suffrage march - one is a librarian, one a mill worker, and the youngest has just come to the city, on the run from the law. It soon becomes apparent that the cause of votes for women and fairer labour conditions are intrinsically tangled up with returning witchcraft to the world, and the recovery of the Lost Way of Avalon, with the forces of conservatism and tradition ferociously opposed to both (and some of the feminists being opposed to witchcraft, wanting to be "respectable").

I loved everything about this book. The prose is gorgeous - the characters and setting feel very real. Harrow takes annoying popular tropes around magic and turns them on their head. Bloodlines? Irrelevant. (To the disappointment of the youngest Eastwood sister, who wanted to be special). Men's vs Women's magic? A false dichotomy. Words of power are encoded in fairy tales and nursery rhymes. Queer characters (including a trans witch) abound. It's full of (intersectional) feminist rage. But most of all it's a gripping, suspenseful story where I really wanted to know what would happen next, and I really cared about the characters.
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I can't remember where I first heard of this book, but as it is a Belarusian gothic novel, I certainly know why I thought it would appeal to me.

It was first published in 1974 in Minsk and this translation came out in 2012. I have to say the translation is an absolute delight to read - and I've read enough Russian books in translation to know that this is no easy thing.

Set in the 1880s, a young folklorist is travelling the more remote parts of Belarus collecting folk-tales and songs, etc. He gets terribly lost and nearly ends up stuck in a swamp but finds his way to an ancient, decaying house inhabited by a wraith-like teenage girl and motley collection of servants. The girl, Nadzeya Yanovsky, is the last of her line. Ten generations previously, her ancestor had betrayed the rightful Belarusian king in favour of the Polish colonisers. The eponymous King Stakh placed a curse on the family, who have been hunted down through the ages the ghost of the wronged king and his hunting party.

The narrator (Andre Belaretsky) is persuaded to stay in the house while he does his research, and Gothic Things start to happen. The Wild Hunt is heard in the neighbourhood. There are two ghosts in the decaying house. There is a tragic coming-of-age ball. There is an even more sinister, and extremely drunken, party at the house of another local magnate, the most bizarre duel I've ever come across in literature, following which the Wild Hunt chases Belaretsky back to the Yanovsky estate. All the while Nadzeya becomes ever more sickly and fearful, convinced that one of the supernatural entities that are hounding her will kill her. Belaretsky predictably falls in love with her and commits to breaking the curse, and an action-packed climax is delivered.

Tangentially, this book left me wondering where gothic ends and folk horror begins. I don't have an answer yet, but it's something to think about.

To my mind, there is a lot more Western European gothic here than Eastern European folklore elements, though I might just be seeing what I'm used to. Apparently the Wild Hunt figures in Eastern European as well as Celtic and Germanic culture. It is different here than what I'm used to from Celtic and Celtic-influenced stories but I don't know whether that's how it works in Slavic mythology or whether this is just Karatkevich's invention.

This is probably the best modern gothic novel I've ever read. At times it reads like a mash-up of all the classics, from Walpole to Radcliffe to Poe (so much Poe, so much decay and fatalism). Being a product of the Soviet era it's very socialist. Instead of being the ignorant caricatures of the classic gothic novel, the peasants are portrayed as sensible and good and very wronged by the nobility. The decline of the Belarusian nobility is presented as deserved rather than tragic. All the aesthetic elements of gothic but without the dodgy politics? Yes please. Peasants with pitchforks as the heroes of the tale? Sign me up.

If I start producing gothic stories with radical politics you'll know where I stole the idea from.
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I am finding that (even more than usual) I am by turns Getting Shit Done, and having a massive freak out.

I recognised this last night and realised that it's probably pretty normal, all things considered.
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I have things pretty good. They're letting us work from home. As my job is normally quite paper-based, there's not always a lot of work to do - yesterday was the first day I was actually busy all day. But I am still in work and getting paid, so hurrah!

I have commandeered the dining room - I have two screens and a real keyboard which won't fit on the desk in my study (having borrowed the screen from my Mac Mini, which is incidentally way bigger than the screens I have at work, along with the tiny laptop screen). I'd gone home with only my laptop, and the announcement that we'd be WFH for the foreseeable came in the evening. As the office was still open, I walked in and grabbed my keyboard and foot pedal (and all the OTC medication I keep in my desk, just in case). Oh, and went to Baristas to purchase an extra kilo of coffee beans. And to the gym to clear out my locker.

(And on the way home decided not to cancel my gym membership, as I'd quite like there to be a gym to go to when all this is over.)

My home desk chair is not as good as the one at work, but at least I have one.

I am wildly vacillating between doing Productive Shit (parts of the house are verging on clean, I found time to read a fairly dense non-fiction book) and running around having anxiety attacks. Like everyone else.

I was going to start Running Outdoors. Not till the weather gets a lot better. I was fairly consistently walking around the neighbourhood quite a lot, till I got a cold last week and I haven't really got my walking mojo back. I found some exercise channels on YouTube I like the look of and did 25 minutes of core and stretching yesterday.

It's the thinking about cooking and meal planning that's really getting to me. When this is all over I'm going to wallow in eating absolute junk for a month.
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Long time no post. Again.

On Sunday we got back from a week in Vienna, Bratislava and Budapest.

Vienna is great but pretty much what you expect - huge imperial buildings everywhere. Even in the business district where we stayed there were buildings with massive fuck-off art deco reliefs on the walls. Every second corner you turn around there's something huge and monumental that makes you go "holy shit".

Our first stop was the crypt where all the Hapsburgs are buried. So many goth and metal album covers were explained. I didn't bother to brush up on who is who before we went - I have a blind spot with the Austro-Hungarian empire (it's not my period, as far as I'm concerned they're all just awful and I'm really only interested in stuff at the periphery with all the now-independent countries) so everything goes in one ear and out the other. It was the most goth thing you can possibly do, though, and far too much fun.

The last thing we did in Vienna was visit the crypt under the cathedral. It's got canoptic jars containing the viscera of all the Hapsburgs, as well as an ossuary from when they had to get rid of the cemetery in the grounds. Also ridiculous amounts of fun, but no pictures are allowed (and frankly would probably not have come out anyway).

I had in my mind that Vienna is a very Baroque city, and it is, but it's also goth as fuck if you know where to look.

And yet we spent most of our time in the zoo. It was the one really warm day we had (like 16 degrees) and we only went in to see the giant pandas, but it's a really good zoo.

Vienna was great but it was pretty much what we expected, and maybe it was the bits we saw (I did not mean to spend a whole day at Schonbrunn), it seemed a bit soulless. I also ate a disappointingly small amount of baked goods.

Oops, I have work to do - Bratislava will follow later.
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At this rate I'm never going to get a proper reading blog set up; so I'm picking up here from September. There are a load of books I've read since March that I should write up too, but I may or may not ever find time.

Lenin on the Train by Catherine Merridale

Billed as the story of Lenin's journey on the "sealed train" (it wasn't) through enemy Germany and neutral Sweden to return to Russia after the February 1917 revolution, this is actually an introductory history of the February revolution. Lenin's actual train journey is only one chapter.

All my reactions to this book are coloured by the fact that I also recently read China Mieville's October.

Lenin on the Train has been generally well received, so I'm going to be the voice of dissent here.

Part of it is me - I often have difficulty with history books for the general reader, being an ex academic historian. I was expecting a detailed blow-by-blow account of the train journey. (Stupid, I know, there's a special level of nerdiness that would entail which would not lead to it being on prominent display at Waterstones).

In the introduction Merridale says she retraced Lenin's steps. A travel book comparing the journey now with then would also have been something that floated my boat, but that was dispensed with in a couple of pages.

I might have welcomed another good general book on the Russian revolution - I did the Russian history module as an undergrad but what little I remember is 20 years out of date. But I found a lot frustrating.

A lot of the story is told through the lens of the British diplomatic and military staff in Russia. I found this really troubling - as if the author decided that an English-reading audience could not deal with the "otherness" of narrating from a Russian POV. Descriptions from the Germans' POV are much more relevant - they were the ones who let Lenin through in the hopes that he would destabilise Russia enough to get them out of the war.

This goes beyond my usual reaction to history books for a general reader ("it wasn't technical or nerdy enough) and veers into "does cultural imperialism have to ruin everything?"

Another niggle was that I didn't think she did a good job of getting across just how doomed everybody thought the Russian regime was in the decades up to its downfall.

Fun factoids gleaned include: Neutral Sweden was awash with spies (there's a trashy novel or six in there); forces of extreme reaction in Russia actually wanted to side with authoritarian Germany rather than with liberal democratic Britain and France; spies from all countries were such upper class twits it's astonishing any actual intelligence ever got through.
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Still here. Getting into more of a routine with the new job and it is kicking my ass less.

As some of you will know from Facebook, the fireplace was installed yesterday. I'd got all worried that it was too big (not in a "it won't physically fit" way but in that it would look wrong). That was the anxiety speaking - it looks perfect!

Sunlight is good for me. Even though it's been too hot even for me the last couple of days, I still feel better than I have in about two years. Today has cooled off but it's also overcast and sticky, so I hope I stay feeling well. In order to avoid over-thinking and stressing over packing for the Newfoundland trip (6 days away!!!) all weekend, I have decided to go to London for the weekend to catch up with some people. This was mainly made possible by the new super off peak train fare - it's not as cheap as, say, booking the coach a month in advance, but it's faster than the coach and I can catch any train on the weekend, so I can come and go when I am ready rather than either rushing or having to hang around.

Have not done any book blogging for several months now. I could start, or I could continue to prevaricate over whether to continue doing it here or to start a "proper" blog. Guess which I've opted for?
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The knee injury was the weirdest thing. Thursday I could barely walk; went home & iced it & took some Naproxen. Friday morning it was a bit creaky and by lunchtime completely better.

I've now worked out what set it off. It wasn't the class where it happened, it was the Zumba class the day before. We have a new instructor & new style. Which would be great if I was still a hyperactive skinny 20 year old. (I know. Two years ago I was doing Insanity weekly. But then injury and I'm not there again yet). I definitely noticed the strain on my knee last night. Here's hoping it doesn't get set off in my class tonight again.

So just when I had a routine going, I'm back shopping for classes. I should be shopping for a new gym, but there are only three cheap gyms in the city centre. Pure would be better, but all the Young People from work go there - who don't get about exercising when you're fat & old & injured. So no. Gym Group have nicer machines, but a truly uninspiring class list. If I didn't need classes, every big hotel has a gym membership programme (including the one across the road from work), but I really do need classes.

Ow.

Jun. 8th, 2017 09:04 am
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Messed up my knee at the gym last night. Not doing the really high impact stuff (like Tuesday) or even the twisting-round stuff, but just stepping up on to the step. The class was nearly over so once I established I could weight-bear, I carried on.

Iced it when I got home, and it hurt less.

This morning it hurt like a sonofabitch. It's a long walk to the bus at both ends, but once I get walking it's fine. Stairs are less fun, but I can avoid them at work at least. Getting up from sitting & walking short distances are also pretty awful - guess what I do all day at work?

Anyway, if it still hurts tomorrow I'll make an appointment, but I really do hope it passes. I had finally got back to doing exercise something like regularly, and I'm quite heavy enough as it is, thanks.
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I've been reading a lot of CJ Sansom's Shardlake series lately - as in finish one open the next.

In the middle of Heartstone there is reference to a character firing an arquebus (no threat to the longbow as the most effective personal weapon of the age) it struck me that the world needs more Tudor-era set sci-fi/fantasy.

Done well it could be thought-provoking. The Tudor era is the dawn of modernity but John Dee was still talking to angels. There is also the intrigue and terror as a political method. There's enough documentary evidence for a good knowledge basis but still sufficient gaps in the record to insert all manner of cool imaginings.

Done badly it would be stick-a-ruff-on-it steampunk.
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16. Early Medieval Scotland: Individuals, Communities and Ideas b David Clarke, Alice Blackwell and Martin Goldberg

I picked this up at the National Museum of Scotland last year. Early medieval Scotland is an extremely poorly documented period; this is an account of what we currently think the archaeology is telling us. I admit to mainly buying it because it's full of gorgeous colour photos. The text is a bit dry but it brought me up to speed on a subject where there was a gap (I know a lot about most of the rest of northern Europe during this period). Definitely worth it for the photos though.


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15. The Bear and the Nightingale by Katherine Arden

This is the book that Facebook kept trying to sell me, and it sounded relevant to my interests. I wasn't entirely convinced so I got it from the library.

It's a fairytale set in the far north of late medieval Russia during the rule of the Mongol Horde. In the glossary and author's note, she admits to taking some liberties with dates - not that you'd notice; medieval Russia is pretty damn obscure. I don't know much more about Russian folklore but this has the right feeling about it. Again, the author is not claiming authenticity.

It's about a young noble girl growing up in the northern woods. There are portents surrounding her birth, and she grows up being able to see the household and nature spirits that protect the people, animals and crops in the area (which everyone acknowledges exists but nobody else can see). That is, until her father remarries and her religious fanatic stepmother sees them and believes they are demons; she has an equally fanatic priest brought from Moscow. There follows a struggle for the survival of the village.

It's also about growing up, family, expected social roles and fanatacism.

It comes very close to being one of those books that is just so magical you can't put it down, but for reasons I can't put my finger on, didn't quite achieve that. It's still a captivating story that I enjoyed immensely, and I highly recommend it.


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I was going to give each book its own post this year; however, I'll never catch up that way. So here I go with quick drive-by reviews. Ask me if you want to know more.

9. Path of Gods by Snorri Kristjansson

The final volume of Snorri's Viking age trilogy. It's been fun watching Snorri develop as a writer through the series. The first book was just OK but he pulled out a really *interesting* take on the mythology surrounding the Norns at the end, so it had my attention. Plus, Vikings. The second book was better and represented a big improvement in pacing. This one pulls it all together and is very good indeed.

Snorri's next project is, allegedly, going to be Viking murder mysteries. You could say I'm eagerly awaiting it.

10. Norse Mythology by Neil Gaiman

My first thought on finding out Neil was writing this was, "does the world really need another retelling of Norse mythology"? But I was full of plague the day it came out, and I wanted some comfort reading so I bought a copy.

The answer is, strictly speaking, no. On the other hand, it is not much of an exaggeration to say that Neil's voice was made to write the Norse myths. It's also a very lovely book (I say to justify paying full price for the dead tree version). Nothing new here, but it livened up an otherwise miserable weekend.

11. The Death House by Sarah Pinborough

This is the grimmest thing I've read in a very long time. And, you know, I'm a goth who used to read Dostoyevsky for shits & giggles, and thought A Man Lies Dreaming was a great fun black comedy. It's clearly very well written because I couldn't put it down even though I had a good idea that [redacted]. I had A LOT of thoughts about this at the time, some of which I've even remembered, but there's no way to discuss without major spoilers. Happy to discuss it over a pint though.

12. Z for Zachariah by Robert C O'Brien

The fun just kept on coming last month. This was last month's book club selection. Most of us had read it in school. For a post-apocalyptic number, it's surprisingly upbeat. I liked it but not all that much; however it was a good book club selection because we got a shitload of discussion out of it.

13. Former People: The Destruction of the Russian Aristocracy by Douglas Smith

I vaguely meant to read this when it came out, forgot, and then picked it up at the library some weeks ago. It's the story of the fate of the Russian nobility who did not escape Russia after the revolution in 1917, told through the medium of two large aristocratic families (who between then covered the full range of experience).

This book wasn't quite what I expected - it was a lot more thorough and well researched than I expected. I did the Russian history course as an undergrad so I used to know a lot of this stuff, especially about the decades leading up to the revolution but I'd forgotten most of it. I'd mainly forgotten that everyone knew a revolution of some kind was coming and that the days of the empire were numbered. For decades.

If there is a fault with this book, it's that the author is too sentimental towards the noble classes. There are complicated reasons why he is sometimes right to defend them (in the absence of a middle class they were the artists, doctors, teachers, etc). Or maybe I'm just a crusty class warrior.

I couldn't keep the cast of characters straight. But you get the general idea - every time the "former people" found a niche for themselves and a way to survive in Soviet Russia, another round of persecutions started. The distance many people traveled over the years were staggering, and not just those who were went to the gulags.

Because my brain is an asshole, the thing I've come away with is the reference to the fact that by its end, serfdom has been compared to American slavery. Most things that are compared to American slavery are just a cover for racists trying to justify it; however, this could be an exception. I made a note of the source in the footnote - something totally obscure. Must. Not. Expend. Time. and Money. Tracking. It. Down.

14. Ode to a Banker by Lindsey Davis

Falco, book 12. Falco investigates the murder of a publisher, who was also a banker. All the usual stuff, Falco taking lots of swipes at bankers and publishers. Good fun. Well, except for one of Falco's sisters possibly making an enemy of the wrong person.


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8. The Hanging Tree by Ben Aaronovitch

Woo hoo! I'm in to February now. Which means I still don't remember my thoughts on this book.

I've been a fan of this series since the start. I seem to recall that general consensus was that the last one, where Detective Peter Grant goes to the country, was less good. I loved it - it had psychopathic unicorns, for a start. The general consensus also seem to have been that this one is a return to form. (Did I mention I was a bit late reading it - I was number 46 on the list at the library when I put the reservation in). Whereas I never thought he'd gone off form.

Anyway, there's a mysterious death in One Hyde Park, the most expensive address in London, and there's Weird Shit, so Peter becomes involved. I can't remember much more; suffice to say it's a good addition to the series, and progresses the story arc so that I eagerly await the next one.


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7. The Janus Cycle by Tej Turner

Also from January.  I had a lot of thoughts about this at the time, too, but they're all gone.

The author read from his work in progress, which is the sequel to this, at the January BristolCon Fringe. It was very funny so most of us came away with a copy of the first book, which is made up of a series of interlinking short stories surrounding the young people who go to the Janus Club.

It reminded me a lot of people I knew in my late teens and early 20s - all the misfits with no family, adrift, not having found their place in the world yet. Only weird supernatural shit didn't happen to us.  But the heartbreak and the shitty living conditions, that's all too real.  There are gay characters, trans characters (so like any alternative scene), so if you feel that representation matters, this is the book for you.

It's very much a first book, but I enjoyed it a lot. A good reminder that being young sucks a lot of the time.


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6. The First Signs: Unlocking the Mysteries of the World's Oldest Symbols by Genevieve von Petzinger

I finished this back in January so most of my thoughts are long gone.

A little-studied element of prehistoric art is the symbols that appear alongside the other figures. Von Petziner is one of the first people to make a systematic study of them. As this is a book aimed at general readers, there's a lot about life in the paleolithic and stories of the discovery of the art of that period. There's also a lot of description of crawling around in muddy caves to verify and better record the symbols which have often been overlooked. She makes it sound like great fun.

Her theory is that art and symbols developed in homo sapiens before they left Africa and just doesn't survive (or hasn't been found) because it emerged so fully formed across Europe at about the same time. Makes sense to me. Along with the art, people developed abstract symbols, a sort of precursor in writing. She doesn't hazard a guess at what individual symbols meant but is cataloguing them to look at distribution over time and place. She also takes a great interest in how the art/symbols were actually made and what that tells us about their makers.

This was a really interesting read, a good addition to my cave art collection.


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5. The Last Kingdom by Bernard Cornwell

I'd not heard of this series until it was filmed by the BBC last year. I thoroughly enjoyed the adaptation and grabbed the book when the Kindle edition was cheap.

I still haven't worked out whether Cornwell is a terrible writer or he just does Uhtred's voice very well. (When your narrator is a barely-literate 9th-century warrior, it's kind of hard to tell). Either way, I found it very hard to put down. For those of you not familiar with the story, Uhtred is born into a Northumbrian noble family, his father is killed in a Viking raid and he is taken captive by a Danish family. But he is valuable to the Danes even though his uncle has taken over his lands, and the Danes like, him, so they treat him like a son. As an adult he goes to Wessex & serves Alfred the Great in the hope of one day getting his lands back. It's mostly about fighting and becoming a proper warrior - the exact sort of thing I don't usually like.

On the one hand, it's been a long time since I read something this easy and pulpy. On the other hand, a lot of serious writers get their history & culture less right than Cornwell. I hesitate to recommend it, because there really is not a lot to it, but I loved it and had to stop myself downloading the second book right away. (Must finish the Shardlake series and the Falco books before I start on another historical series).


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