inulro: (Default)
5. The Kalevala

The Kalevala is Finland's national epic.  Around the time Finland finally became an independent country, a folklorist called Elias Lönnrot collected folk songs from the Karelia region of Finland and Russia and put them all together as a series of connected stories.  It's a bizarre mix of Christian and pagan ideas - the Russians had never bothered much about really establishing Christianity in those areas.

It's enormous, so I had planned to just dip in and out of it. However, I found it completely captivating.  It is unbelievably evocative of place - boreal forest with lots of lakes, and of a way of life that hadn't substantially changed in over 1000 years.  I really felt like I was there.  It wasn't so much a case of not being able to put it down; rather it took me months of reading a few cantos here and there.  It starts out with the Finnish creation myth and follows a cast of very human yet also supernatural characters as they make their way and survive in a harsh but fertile environment.

Hats off to the translator, Keith Bosley.  Creating a version so lyrical with a cadence that absolutely fits the content from a non-Indo-European Language is quite a feat.

To my not-very-expert mind, it is more reminiscent of Russian folk tales than of Scandinavian, though there are good reasons it might resemble neither.  The footnotes keep on about parallels to Greek mythology, but apart from universal features of epic, I really couldn't see it.



inulro: (Default)
No, really. Epic in the technical, literary sense.

Anyhow, it's taken me ages to get around to watching all the programmes the BBC showed as part of their "Normans" season. I've liked what I've seen so far but, as this used to be my career, none of the programmes told me much, if anything, that I don't already know.

Today I finally saw Simon Armitage's hour on "Sir Gawain and the Green Knight". I thoroughly enjoyed it. What I did learn is that Armitage has made a translation of it, as a poet rather than as a scholar, thus keeping the alliteration and cadence. As soon as I have £5.99 to spare I'm buying a copy, because what he reads in the programmes is beautiful. Naturally I have read it in Middle English, but not since my undergrad days. If I recall correctly, reading Gawain next to Chaucer is what got me interested in dialect ad how I ended up studying variations of Old English and working on reconstructing lost Northern dialects. It certainly pulled me into the world of medieval studies in a way that Chaucer never would have.

By way of associations that are logical to me, this links to a project I've been planning since the new translations of The Mabinogion and The Tain came out in the mid-00s - an Epic reading-fest. Considering I've read a lot about the anthropology and mechanics of epic, I'm grievously deficient in my actual epic-reading[2].

I've read Beowulf in Old English[1] and got the Seamus Heaney translation but not got around to reading it. I read parts of The Mabinogion as an undergrad but the old Penguin translation was clear as mud, and did The Tain at U of T. I have done The Song of Roland and The Cid and am not dead keen to revisit either of these

Where I suck, epic-wise, is the classical world. I've read the Iliad but not The Odyssey, The Aeneid or Ovid's Metamorphosis (I'm sure Tony or Simon will be along shortly to tell me the last isn't epic; I have to admit I don't remember).

I welcome suggestions to add to this.

I think I've recovered enough brain cells for this to be do-able, but I would need to lock myself in a cottage in the middle of nowhere for several weeks to get through the lot.

I've got a similar planned thematic reading of Victorian women novelists along with The Madwoman in the Attic at some point.

[1] Don't take the piss. Why do you think I'm finding Swedish so obvious?

[2] Lo, I am the queen of the secondary source. This is only a good thing for the intellectually lazy.

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inulro

May 2022

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